The subject of this series of snow paintings is Yeyette Lebatard’s house, in the heart of the Calvados village of Clécy, a motif Lélia visited five years ago but explores again with a fresh eye, a fresh mind and a different technique.

Again, Lélia concentrates on the exploration of variation within a single subject, achievable only through a series of repetitions, each one finely yet distinctly different from the preceding canvas.